Dave Lee, piano, keyboards; Carlton Jackson, drums; Israel Annoh, percussion; Phil Baker, bass; Dave Lucas, bass; Dan Balmer, guitars; John Mannenbach, guitars; Clark Salisbury, guitar; Ben Fowler, saxophones; Wes Burden, soprano saxophone.

When Your Eyes Met Mine * Sweet Spice * Sunday Drive * Michelle * Go Fly Your Kite * I Can Still See Your Face * Snowflake's Journey * Emily * Moonlight in Vermont * When Your Eyes Met Mine (reprise).

Electronic Garage Productions

"Lee is a fine pianist whose musicianship elevates the CD over many run of the mill contemporary jazz artists."-- Oregonian A&E, 1997

LAND WHALES IN NEW YORK (#138)

Gordon Lee with Jim Pepper, Bob Moses and Calvin Hill.

Jumpin' Gemini * Insomnia * Autumn in New York * 3/4 Gemini * Water * Land Whales * Gone

Gleeful Music

"Three original compositions by Lee, one of God's gifts to the jazz piano scene ... this set is full of hard driving energy. -- Wayne Thompson in Jazzscene, August, 1991

ON THE SHOULDERS OF GIANTS (#149)

Gordon Lee, piano; Leroy Vinnegar, bass; Warren Rand, alto sax; Dick Berk, drums.

Bopzodee * No Bizz * Chelsea Bridge * Not Tonight * Terrible Beautiful Day * Wistful * The Pleiades * Part Of You * The Good Life * Turner

Gleeful Music

"The album is a lovely, subtle display of Lee's love for the jazz tradition."
"Drummer Dick Berk and bassist Leroy Vinnegar support the songs with impeccable timing and taste." -- Marty Hughley, The Oregonian, August, 1993.

ROUGH JAZZ (#161)

Gordon Lee, piano; John Gross, tenor sax; Alan Jones, drums; Dan Schulte, bass.

Suitcase Odysseus * Loss Is Freedom * Istanbul * Someone To Watch Over Me * Deception * Tobacco Monkey * Closure * Flower Petal Storm * You're My Everything

PHD Music

"The quartet explores seven Lee originals and two standards. The originals run the gamut of intense, edgy hardbop to dark and foreboding boogie and to the soulful and gentle. This highly creative music is, in some ways, indeed rough jazz. Rough in that it demands the listener's attention and his acknowledgement that there's a lot happening here." George Fendel in Jazzscene, 1997.